Archive for August, 2015

Back to School

Heavy-duty text!

At the end of this month, my class for Golden Gate U, SF, begins. That is, the payroll office and the Help Desk are in San Francisco; I’m at home in a suburb thirty miles away and my students are all over the world.

The syllabus states: This course examines the impact of scientific thought and technological innovation on major cultures of the modern world. It includes analysis of the acquisition, application, and adaptation of technology in pre-industrial, industrial, and post-industrial societies.

Okay, it’s a bit academic, but that’s to be expected in a university catalog. Really, what the course allows me to do is discuss key events in the history of science that have changed cultural patterns and beliefs. Topics include breakthroughs from the printing press (the Church at the time condemned it as an instrument for spreading the devil’s work) to stem cell research and cloning (now being condemned by some).

It’s challenging and exciting to explore these issues with my students. Advances in science and technology have given every age more conveniences and life-saving medical procedures as well as new problems and new moral issues.

Remember the divorcing couple who were arguing over who would get her frozen eggs? Not a problem in my grandmother’s time. And all the cases of how long to sustain life with technology? Not a problem in the Old West, for example.

With an international student body working in cyberspace, I often don’t know the gender of some of my students. At first this was disconcerting. How could I know how to respond to a posting if I didn’t know whether it came from a man or a woman? I’ve had first names such as Jigme, Myint-San, Widya, Lieu, and many more that are unpronounceable. I longed to have a photo, an audio file, or some indication of the student’s gender. Maybe he or she would refer to a wife or husband. Of course, in 2015, that still wouldn’t be a clue.

Even some “American” names are gender-neutral. Was the Sean I had last term a girl, like the actress Sean Young, or a guy, like the actor Sean Penn? How about Jordan? Lee? Alex? Casey?

Short of asking outright, which I don’t want to do, I have no way of knowing the gender of these students. Every year that I’ve taught this class on line, there is at least one student whose gender I never learn, not even as I assign the final grade.

Eventually, I realized that it shouldn’t matter whether I’m reading the views of a man or a woman. Does it help to know the gender perspective of a person if the issue is end-of-life technology or gene therapy? Or does it hinder our ability to listen objectively?

Boy or Girl. Should it matter?

Museums, Part 2-ish

Here are a few samples from my summer museum visits. Which would you linger by?

Madame X by John Singer Sargent

Glass and neon with transformer by Keith Sonnier

3 of 4 paintings by Van Gogh, never before exhibited together

The Cyclone

“Write what you know” is a common theme among writers. Not bad advice, in general. But in particular, it’s difficult. The more you know, the more experience you have, the more you feel about a topic, the harder it is to put it into a few words that will satisfy you. And if you the writer aren’t satisfied, than pity the reader who has to slog through it.

Thus, only after I’ve sent dozens of my stories out to be read, I’m sending this one, the one I know best. The setting is Revere Beach in the 1950s. I’ve written a little about it in the Periodic Table Mysteries and here and there in this blog, but here is its own story. It’s not about a crime, but it is about fear. And life.

The more you know, the longer it takes to write about it.

Ducks, Cartoons, Ants

I’m thrilled to have a guest blogger today: MARGARET HAMILTON, a longtime friend, author, and recently coauthor of a collection of short stories, SIX SCATTERED STORIES. Her story THE RETURN OF MARCUS CASTEEL is featured in the July 11 issue of New Realm magazine.

Murder Along the Mississippi - Margie and Friends

from Margie:

About twenty years ago I ran across a crayon drawing on one of my mother’s hallway shelves. My best guess is that I drew it in kindergarten. The picture was of three ducks in an almost vertical pond. Each duck had a conversation bubble that read: “QUICK”. Was the drawing an intended cover of a book I planned to write?

Chapter 1: Three ducks swim in a pond.

Chapter 2: Something threatens the ducks, maybe a fox or a hunter.

Chapter 3: The ducks warn each other to quickly fly away from the impending danger.

Or maybe I meant to print “QUACK” in the bubbles. In any case, I wish I had that drawing.

Most of my third through fifth grade artistic efforts were encouraged and nurtured by Miss Mattocks, my art teacher in the St. Louis school I attended. My first big project (it might have been for extra credit) was a story with pictures, kind of like a comic strip. I cut strips of butcher paper, taped them edge-to-edge, made vertical lines to denote frames, then drew and captioned my story. As I recall, it was about ten feet long. Miss Mattocks must have liked it because she let me tape it across a wall.

Around the same time, the boy next door and I published a newspaper of original cartoons (i.e., we made them up). We drew our cartoons on both sides of a large sheet of paper, then copied our work, by hand, onto a supply of same-sized paper. Then we hit the street, selling our latest edition to parents, neighbors, and relatives. The price per edition was probably a nickel.

At some point, I wrote the play I mention on my web site. I titled it Alice in Ant Land. The characters included a girl heroine and several ants. The plot had conflict, tension, and resolution. (However, in re-reading Chapter Four of Elizabeth Lyon’s A Writer’s Guide to Fiction, I think it fell short of the Heroine’s Journey.) Though Alice in Ant Land was set in present time, a few friends and I put on the play in our history class. As playwright, I assumed the role of Alice.

It was interesting and fun to think about my early attempts to draw and write fiction. Best of all, it made me recall the teachers, parents, friends, relatives, and neighbors who inspired and appreciated the budding little artists I suspect we all were.