Archive for June, 2017

Nature — at Arm’s Length

Here are two of my favorite paintings, from the permanent collection of the Met in NYC. I could sit in front of them for hours, and I have come close to doing that. They’re representative of countless other landscape paintings that I love, like those of Millet, Corot, Church, and Pissarro.

What’s so strange about that? Most of us relish the moments of meditation and pleasure we get from works of art. What I can’t figure out is this — if I were actually standing in one of these landscapes, I’d be freaking out. So why do I love them?

In Cezanne’s “Mont Sainte-Victoire and the Viaduct of the Arc River Valley” there’s grass everywhere, plants all around. I’m allergic to grass and I don’t like plants. Though I can’t see them, I’ll bet there are bugs everywhere, too. I doubt that there’s a coffee shop or a bookstore, or even a gas station within cell phone range. I doubt that AAA would be able to find me in case of a problem, and the nearest hospital — who knows how far away that is? I’d be hyperventilating after one minute.

Bierstadt’s “The Rocky Mountains, Lander’s Peak” is even worse. The sun is strong. I don’t like sun, in general. And there are animals. Eeek! I’m afraid of one half of the animal kingdom and allergic to the other half. Besides, they tend to add organic matter and odors to an open area like this meadow (valley? grassy knoll?), both of which I would find unpleasant if I were to stand at the focal point of this painting. I’m cringing at the thought of what would be on the soles of my shoes. And still no Starbucks or even a family-owned bistro. Nor a convenience store to buy bathroom tissue — oh, right, there’s no bathroom.

My idea of roughing it on vacation: a couple of galleries at MOMA are closed, my theater seats are in the balcony, and late night room service takes more than fifteen minutes.

Thinking about this phenomenon — why I love paintings that depict scenes I’d go out of my way to avoid — it’s a lot like my relationship with fiction.

I love reading and watching movies about crime — the ensemble heist, the perfect murder, the “lovable” serial killer, like Dexter — but I don’t want it to touch me in real life.

There must be a name for this syndrome?

Too Cute to Live

Sewing scene; marker for scale

Here’s a new scene in one of my miniatures corners, inspired by a friend who gave me carpet that she made from cotton thread, and another who gave me sewing equipment. I’m trying to decide whether to turn it into a (mini, of course) crime scene. It’s a thing with me.

One time I found a lovely Vermont country house in half-inch-scale in a local miniatures store. It was so cute—freshly painted, beautifully finished wood floors, a charming porch—I almost didn’t buy it. Too pretty. What could I do with it except place equally adorable tiny furniture in the rooms?

“How come it’s on sale?” I asked the clerk.

“There’s a defect,” she admitted, pointing to a window on the first floor. Sure enough, one pane in a multi-pane window, made of plastic, was split open.

My spirits lifted. “Great,” I said. “That’s where they broke in.”

The clerk gave me a sideways look, but I was happy. I had my crime scene.

In my mind I was already placing small pieces of glass (plastic) on the floor under the window, tipping over the darling living room chairs, smashing the dainty lamp, breaking one leg of the miniature coffee table.

It’s not just miniatures. There’s something about crafts and murder that have a natural connection. Whether it’s knitting needles or utility knives, scissors or toxic paints and resins, our crafts tables are a storehouse of offensive and defensive weapons.

Although most miniaturists I know have elegantly furnished Victorian or Tudor dollhouses or Cape Cod cottages, they sometimes stray from The Cute with risqué scenes. In fact, every miniature show I’ve been to has a few brothels, strategically mounted higher than kids’ eye level. But other than the fascinating CSI thread a few years ago, there aren’t enough miniature crime scenes to enjoy.

One of my heroines in this regard is Frances Glessner Lee, the Chicago heiress who built meticulous miniature crime scenes (even knitting tiny stockings for the background) and used them to teach criminal investigation procedure to cops. It’s worth a look at her “Nutshell Studies of Unexplained Death.”

My most elaborate dollhouse is a mortuary, fashioned after the building where my Periodic Table Series protagonist lives. Gloria tiptoes past mourners on her way to her kitchen and trips over a trocar when she goes down to do her laundry next to the embalming room in the basement. It wasn’t easy to fashion an embalming table out of foil, but I had to DIY, since no miniatures stores seemed to have any in stock.

A Tip for the Miniaturists Among Us

Just to prove I’m not always turning cute into deadly, here’s a bloodless tip to accent your dollhouse or roombox kitchen or living room: lay bell pepper seeds, enough to cover a quarter, on a paper towel and let them dry. Then place the seeds in an old contact lens/bowl, or a similar “found object,” and you have chips ready for munching (by a very small person).

It’s a project fit for family viewing. No crime scene tape needed.

High on Public Speaking

Here’s another LadyKiller topic of a couple of weeks ago: Public Speaking. Apparently there are some people, some writers even, who fear it. Or hate it.

Not me.

My first public speaking gig was to my high school classmates, very few of whom I’d ever spoken to privately, and their families.

I was that quiet kid in the corner, the youngest in my class, with so many insecurities drummed into me by an overbearing mother that I should have turned into a serial killer.  By some quirk of fate, I was valedictorian that year — more exactly, I was one of the few kids who did homework, unwittingly fooling my teachers into thinking I was “smart,” and giving me A’s.

That’s me in the middle, looking confused. I blame the drug.

On graduation morning, I was sick with fear and told my mother I couldn’t do it — stand on the stage at the local theater and talk to hundreds of people. She was not about to let me off the hook. She herself had been pulled out of school at age 12 or 13, when her mother died. This was her moment and my life was on the line.

“I’ll fix you,” she said, and rubbed paregoric on my gums. In case you don’t know what paregoric is: briefly, an opiate, since then regulated as a controlled substance. I gave my speech, on the role of women in the future (I think my Italian teacher, an early feminist, wrote it). I remember the event as one of the most thrilling in my life. All those people listening to me (so what if they were a captive audience). Also, I was probably high.

Now, without the help of drugs, I still get the same high. I love public speaking in its many forms. Need a last-minute teacher or speaker for a class or an audience of 3 or 300? Give me a minute to prep, and I’m there.

Thanks, Ma.

Busy, busy

Do you know any busy people? Are you one of them?

Here’s my pet peeve (and by now you know it has nothing to do with physical pets): people who are busier than you, no matter what. They’re the people who can force you into exaggerating your own busyness just not to lose the busy battle. Or maybe I’m the only one who responds that way when someone tries to convince me that he’s the busiest person in the world (BPIW).

My father used to say: he’s the kind of guy, if you’ve got a bottle, he’s got a case.

I think that translates nicely into what I mean.

You can have 5 classes to teach, 4 deadlines to meet, and a marathon to run, but BIPW will best you every time. “I’m doing all that, AND I’m expected in New Zealand any minute,” he’ll say. To which I’m tempted to respond, “I just got back from there and I’m packing for Greenland.”

I never like myself when I get into that mode of claiming to be a BPIW. It makes me tense about my life and my projects. I’d rather take it easy and think how lucky I am to have many things to do, instead of trying to impress people with my to-do list. That’s what happened last week when a friend came for lunch and announced, “I can’t stay very long. I’m very busy.” No, I didn’t say, “Sorry to keep you from your busyness,” or whip out my own to-do list. But I wanted to.

I had a colleague once who was a BPIW and also a BMIW (busiest mother in the world.) If I came into the office with a new jacket, she’d moan about how she’d love a new jacket, but she had to feed her children. If I went to a movie, she’d complain that she hasn’t had time for a movie since her twins were born. The only way I got her to stop was to confront her with, “Gee, BMIW, you make me very happy I never had children. I’m so sorry you weren’t so lucky.”

Here’s a paraphrase of one of my favorite cartoons: God is on a cell phone, saying “I’m sorry, I can’t. I have to be everywhere.”

Now, that’s busy.

Top Scenic Views

Recently, on TheLadyKillers, we were asked to post about SCENIC VIEWS.

No problem for me. I know that some people love mountains for themselves, but I think of them as raw material for buildings.

What is scenic for me has to involve human creativity — using the stuff of the universe to create something beautiful. A few examples:

The New York Public Library, home to 53.1 million items.

Grand Central Terminal.

From a room with a view: 42nd St.

As you see, like Woody Allen, I am 2 with nature.