If scheduling works out, I’ll be in Bethesda, MD when you’re reading this. Maryland is on my short list of places I’m willing to travel to.
I’ve never been a traveler. I was nearly 40 years old when I first traveled west of the Hudson River. I’ve never wanted to go somewhere just to go there, or just to see something different. I’m one of those Yankees who believes everything anyone needs by way of art, science, and culture is on the Eastern seaboard, in the triumvirate of Boston-NYC-Washington DC. Maybe a little side trip to Philadelphia. That’s enough concentrated diversity, not to mention weather, to satisfy me.
But eventually work and other issues sent me traveling around the country.
And who doesn’t have this kind of travel story: sleeping on the linoleum at Chicago’s O’Hare in the middle of a blizzard; being stuck in the smoking section (years ago) as if there really is a difference between yes- and no- when you’re all in a cabin 30000+ feet up; inspecting a nuclear power plant in a town where “good restaurant” means a choice of vending machines in the lobby of a motel with a number in its name, the kind of establishment where you sleep with your clothes on and your purse under your pillow.
Luggage lost, luggage stolen. (Picture hand across brow here): I’ve seen it all.
I wonder why I’ve never given any of my characters a bad travel experience—except for one fender bender in New York City. Maybe because I think every reader would be able to say: I’ve been there, and I can top that.
In fact, my characters have hardly traveled at all—another one of the ways authors insert themselves into characters without being aware of it.
It took four books to get Gloria Lamerino of the Periodic Table series out of Revere, Massachusetts. It took eight books for Geraldine Porter of the Miniature Mysteries to leave fictional Lincoln Point, California. Sophie Knowles of the Professor Sophie Knowles mysteries stayed put in Massachusetts through all four books, as does Cassie Miller of the Postmistress series. (Jaunts to New Hampshire hardly count as travel.)
In theory, it would be very interesting to put a character in a different locale from their original setting. We’d get a chance to see what happens to her in a new environment, how she reacts to things she’s not used to: unfamiliar weather and culture, the idiosyncrasies of regional language.
Come to think of it, I’d love to see how the coastal Gloria would fare in Montana, how Geraldine would do in Nebraska, how Sophie would adapt to Texas, how Cassie might enjoy the US Postal Museum in Washington DC.
I’m talking myself into a whirlwind tour with my protagonists. What kind of luggage will they have, how will they dress?
It will work, as long as I don’t have to go with them.